WAKE OF VULTURES: A Review

Cowgirl becomes Buffy in the Wild Weird West, and then discovers it’s okay to be gay or bi-sexual. A 21st century PC fantasy for the modern hip teen. That pretty much sums up Wake Of Vultures.

wake of vulturesNettie Lonesome is half black and half Native American. She was “adopted” at a very young age by a white couple and grew up working their farm pretty much as their slave, since they don’t treat her like family. One night she is attacked by a strange man and when she drives a stake into his chest, he turns to sand. From that point on, Nettie can see monsters, and her world is full of them. She encounters vampires (some of whom are prostitutes) and werewolves, as well as creatures like sirens and harpies.

The rest of a book is Nettie’s journey to kill something call the Cannibal Owl, a creature that is stealing children during each new moon. It is also a journey of Nettie’s self-identity. When she leaves the farm after killing the vampire, dressing and living as a boy makes it easier for her work as a ranch hand and later as a Ranger.

She also learns about race, gender, sexuality. The constant “be who you want to be, don’t be who they tell you to be” theme comes across as heavy-handed and preachy. I could have done with less of that, and more exploration of the world Nettie lives.

In her afterword, the author states, “some of the themes in Wake of Vultures will cause outrage.” I guess that’s because the book is targeted toward the YA market and maybe some parents and school officials will find the book “offensive” due to its theme of tolerance. Maybe, but not likely. In our current media climate, more folks are attacked for NOT being tolerant than otherwise.

All that being said, Wake of Vultures was a quick, enjoyable read, and an interesting take on updating some paranormal tropes. Here’s hoping Bowen will explore and expand that Wild Weird West in further books.

3 palmettos

 

TIMEBOUND: A Review

When Kate Pierce-Keller’s grandmother gives her a strange blue medallion and claims to be a member of a time travel group from the future named CHRONOS, sixteen-year-old Kate assumes the old woman is delusional. But it all becomes horrifyingly real when a murder in the past destroys the foundation of Kate’s present-day life. Suddenly, that medallion is the only thing protecting Kate from blinking out of existence.

timeboundKate learns that the 1893 killing is part of something much more sinister, and her genetic ability to time travel makes Kate the only one who can fix the future. Risking everything, she travels back in time to the Chicago World’s Fair to try to prevent the murder and the chain of events that follows.

Changing the timeline comes with a personal cost—if Kate succeeds, the boy she loves will have no memory of her existence. And regardless of her motives, does Kate have the right to manipulate the fate of the entire world?

So … sounds good, entertaining and fascinating. Also, there are more than 1600 five-star reviews on Amazon for this book and the author, Rysa Walker, was awarded the Amazon Breakthrough Novel in 2013, so I decided to give it a shot.

First of all, for all the acclaim – it’s pretty boring! The first section of the book is a quite dull … setting up the characters and plot with a heavy hand, telling not showing. Characters seemed to be little more than chess pieces, moved from place to place only to advance the story. Kate (the heroine) never becomes a well-defined character … by the end of the book I cared little about what happened to her.

The middle section of the book then actually s-l-o-w-s the story d-o-w-n with convoluted explanations of time travel, how the Chronos team works and the confusing back story. During the final 1/3 of the story finally kicks into gear as Kate goes back in time to the 1893 Chicago World’s Fair and crosses path with the notorious H.H. Holmes, which, unfortunately, does not have as great a payoff as it should.

As a fan of time travel stories (see my article, Essential Time Travel Novels), I found this YA novel lacking in many ways. Good idea, haphazardly executed.

3 palmettos

 

THE PASSAGE: A Review

First, the good things:

There is NO Bella in this book. No misty eyed teenage romance. There is no soul-searching Lestat who laments his life in overlong paragraphs filled with purple prose. There is no erudite Count with a cape. No Victorian damsels in flimsy nightgowns and heaving bosoms. In Justin Cronin’s The Passage, the “vampires” are the result of a military genetic experiment gone horribly wrong and ultimately, out of control. They are vicious, nasty, virtually unstoppable and very very hungry. The first 250 pages of The Passage are the best fiction I have read this year.

Now the bad:

passageUnfortunately, the book is 766 pages long. With two sequels on the way. The novel covers over 1000 years. The first section follows modern day events. A military/ scientific expedition in South America captures a jungle virus and takes the secret to a lab for study. They discover the virus increases strength in test monkeys and prolongs their lifespan. The government hatches plans to create a Super Soldier. FBI agent Brad Wolgast is put on special assignment with the military to bring “volunteer test subjects” from death row prisons across America to be infected with the virus. But when Wolgast is ordered by his military superiors to capture a 10 year old girl, Amy, and deliver her to the lab, he rebels. The army hunts them down and Amy is taken to the lab to be tested. Then, the world goes to hell.

Twelve of the infected creatures escape the lab and overnight destroy the entire military installation. Wolgast and Amy barely escape and spend the next several years living in isolation. Then … one day there is a brilliant explosion to the west. Amy is blinded by the nuclear blast, and Wolgast slowly dies of radiation poisoning.

The book then jumps 1000 years in the future. The creatures (called Virals or Jumps) have wiped out most of the human population. Ninety per cent of infected humans die – ten per cent become Virals themselves.

What follows is an alternately entertaining, horrific, tedious and ultimately, frustrating apocalyptic story of the human survivors and their civilization. This is where author Justin Cronin falls woefully short of his goals. Having published two short modern and very literary novels, Cronin branches into territory usually reserved for such “inferior” writers as Stephen King, Robert McCammon and Richard Matheson. When “serious” writers stoop to write horror or science fiction – genre fiction! – the result is usually well-written crap.

Several years ago we got the novel Jonathon Strange & Mr. Norrel, an old fashioned English novel about magic and evil. The literary world loved it … heaped praise upon it and claimed that it “redefined the horror novel.” It sure did – it redefined the horror novel as tedious and stodgy. The Historian was also forced upon us as a “brilliant re-working of the vampire legend.” The only brilliant thing about the book was its ad campaign. The book was literary sawdust. Remember when Norman Mailer (a literary giant, just ask him) claimed he could write a great mystery novel, and we got Tough Guys Don’t Dance? If you actually finished that book, your place in heaven is assured. Those of us going to hell will probably have to reread it for eternity.

There are sections of The Passage, and I mean dozens of pages, that beg to be skipped. Cronin often forgets he is NOT writing a mainstream novel where nothing is supposed to happen. He has chosen to write a genre novel for money … and of course, he can make it better than those popular writers because, after all … he is a serious novelist.

If you really want to read this kind of story, I recommend 2009’s The Strain, with a similar story and sweep (now a TV event on FX) or how about two all-time apocalyptic classics: The Stand by Stephen King and Swan Song by Robert MacCammon. Those two pulp writers managed to write a couple of horrific novels that are everything The Passage isn’t … great. 

For all its posturing (and intellectual promotion among the literary elites) The Passage is not a bad novel, just not a good one. I’m betting the Hollywood movie will be better than the book.

3 palmettos

Wayward Pines Trilogy: A Review

Book One: Pines. Secret Service Agent Ethan Burke arrives in the idyllic town of Wayward Pines in Idaho – surrounded by tall pine tree forests and insurmountable mountains on all sides to investigate the mysterious disappearance of two agents who had landed here two weeks before.  He is involved in a horrific accident that leaves him with partial memory loss. But when he recovers, his interactions with the town residents  makes him realize there is something wrong with the whole town itself. He is not able to reach his wife and kids in Boise or his handler within the agency. Dead bodies turning up, mysterious bar-tenders who disappear, a psychiatrist and a nurse who seem hell bent on harming him than curing and a whole town of kooks who love nothing more than shooting the breeze during day time and take part in blood fetes at night. It gets murky and weirder by the page. And then, when he attempts to escape the town, the real horror begins … pines trilogy

Book Two: Wayward. Except for the electrified fence and razor wire, snipers scoping everything 24/7, and the relentless surveillance tracking each word and gesture Wayward Pines is an Eden. None of the residents know how they got here. They are told where to work, how to live, and who to marry. Some believe they are dead. Others think they’re trapped in an unfathomable experiment. Everyone secretly dreams of leaving, but dare not. Ethan Burke has seen the world beyond. He’s sheriff, and one of the few who knows the truth—Wayward Pines isn’t just a town. And what lies on the other side of the fence is a nightmare beyond imagining.

Book Three: The Last Town. The children of Wayward Pines are taught that David Pilcher, the town’s creator, is god. No one is allowed to leave; asking questions can be lethal. But Ethan Burke has discovered the astonishing secret of what lies beyond the electrified fence that surrounds Wayward Pines and protects it from the terrifying world beyond. It is a secret that has the entire population completely under the control of a madman and his army of followers, a secret that is about to come storming through the fence to wipe out this last, fragile remnant of humanity.


There is a downward spiral in the narrative. Book 1, Pines, was thrilling and suspenseful, with a v-e-r-y Twilight Zone feel to the entire story  Book 2, Wayward, is substantially less intriguing. The plot seems to be papered over and the ending (as is common with the middle books of trilogies) is flat and slightly unfair when the reader realizes the author has been misleading you the entire book – cheap and silly and very much TV. Book 3, The Last Town, is poorly written and runs out of narrative steam – the ending is a sudden jolt!

It seems perfect that FOX TV is turning the books into a series, executive produced by M. Night Shymalyan since most of his projects are intriguing ideas poorly executed.

3 palmettos

FADE: A Review

Why is Robert Cormier marketed to Young Adult audiences? His books explore disturbing subjects, dark themes, and create a generally bleak tone. Thomas Hardy has nothing on Cormier for tragic conclusions. And, not withstanding the constant presence of The Chocolate War, on must-read lists for Young Adults, Fade may be Cormier’s best book.

Fade_Robert_Cormier_novel_coverSUMMARY: At the age of thirteen, Paul Moreaux discovers that he can turn invisible. Paul, a sensitive and thoughtful working-class boy, doesn’t even realize it when he first gets The Fade. On a dare, he spies on a meeting of the Ku Klux Klan. (This is the 1930s, and anti-Catholic/anti-immigrant sentiments are running high against Paul and the other citizens of Frenchtown.) When the meeting is ambushed, a crazed Klansman discovers Paul and tries to kill him– but inexplicably, he somehow loses sight of his intended victim.

What Paul doesn’t realize is that he has inherited the ability to turn invisible. Sometimes it’s useful, as when escaping from Klansmen and bullies; more often it’s horrible, as when spying upon people who reveal secrets Paul never wanted to know. One male in his family has inherited this “gift” for several generations. Paul at least has guidance from an uncle, also a Fader. 
The invisible teenaged Paul slowly discovers that his “gift” only helps him learn quickly the tragedy of human existence; he is doomed to lead a life marked by violence, madness, and despair, with relief coming only when health complications from the invisibility cause him to die, lonely and young and unmourned.

A generation later, Paul’s own nephew Ozzie has no such counseling, because Paul doesn’t know he exists; the child had been secretly given up for adoption. Unfortunately Ozzie was raised by a physically abusive father, and when Ozzie discovers his Fading powers, after years of beatings and neglect, the results are terrible, with “terrible” meaning “like Stephen King’s Carrie on prom night.”

Thoughtful, horrific and suspenseful. Highly recommended!

Companion Read: Jumper by Steven Gould. (Note: do not let the bad movie based on Jumper keep you from reading it.)

 4 palmettos

CHANGELESS: A Review

Remember the first time you heard the 1976 LP, Boston? It blew you away. Swirling twin guitars, a sound that mixed Led Zep with Yes and The Beatles, hard rockin’ songs with a melody, high harmonies, soulful singing by Brad Delp, and one mean ass rock and roll organ.

PrintRemember the anticipation as you waited (and waited and waited and waited) for Boston’s second LP? And then, it finally arrived! Don’t Look Back. So you tossed it on your turntable (for those of you under 30, Google it) and you listened to the LP. And about halfway through Side Two you started to get a sour feeling in your belly. The album was good … but was not great. It was … the same, but not better. After two years, this is what you got? So, you listened to it again. For the next few days you walked around thinking: “Oh man, this sucks.”

Welcome to CHANGELESS, the literary equivalent of Boston’s Don’t Look Back.

CHANGELESS is the sequel to SOULLESS.(Read the Soulless review) It was Bram Stoker mixed with the sensibility of Jane Austen set in Charles Dickens’ London. It was a world in which vampires, werewolves and ghosts were accepted in English society. Author Gail Carriger deftly pulled off a screwball comedy of manners.

So what’s wrong with CHANGELESS? Nothing really, except the disarming freshness has worn off. The wackiness of an English woman without a soul who can disarm vampires and werewolves with a thrust of her silver-coated parasol and sitting in council with Queen Victoria discussing the “vampire problem” is no longer new. Carriger has done little to move the story (and her world) into something else. We are stuck in a world that we already know, in a story that seems stale and mundane. Maybe that’s my own fault, since I found Soulless so delightful I am guilty of creating false expectations. I have an sneaking suspicion that two years from now, I will rate this book higher than I do right now. 

Like Don’t Look Back, it’s more of the same thing … more than just a mere shadow, but it serves to remind you how brilliant the initial offering is.

4 palmettos

ONE SECOND AFTER: A Review (ESSENTIALS)

one secnd afterElectromagnetic pulses can result from natural phenomena and, in much greater strength, from nuclear blasts. The result of an EMPs is the destruction of unprotected electronic circuitry, about 95% of it in the United States. A nuclear bomb set off at a high altitude would cause electronics over a large swathe of the planet to fail and almost nothing has been done to protect the US from this threat.

This frightening novel depicts what life might be like in the case of an EMP attack. With no electronics -vehicles won’t run; no phones, computers, radios, or televisions; no electricity. America descends into the Middle Ages. In One Second After, a lack of food and medicine leads to mass death. Society crumbles quickly. Cities turn against the countryside; friends and neighbors turn against each other in a desperate struggle to survive. Criminals take advantage.

Forstchen humanizes it by giving a detailed look at how events unfold around the idyllic small town of Montreat College in North Carolina.The weeks pass, and society deteriorates quickly – food runs out, people die due to lack of treatment and medicine, tyrants try to take advantage of the weak and confused, and criminals run rampant.

One Second After is a masterpiece of dystopian literature that ranks with 1984 and Brave New World, but is even more horrific. IT IS A PAGETURNER! You will have restless nights while you are reading this, and several nights after. Particularly when you realize that our government has done nothing to prepare this country for this serious threat.  

5 palmettos

BOOKS TO AVOID – Even Under Penalty of Death

NOTE: I did not list any James Patterson books since it should be obvious you need to avoid Patterson. If you enjoy Patteron’s books I order to stop reading my blog IMMEDIATELY.


 

AmericanPsychoBookAMERICAN PSYCHO by Brett Easton Ellis

Sick and badly written. A cruel and vicious book. Anyone who is in a relationship with Mr. Ellis needs to re-think their decision. There are not words strong enough to describe how bad this book is.

Cold_mountain_novel_coverCOLD MOUNTAIN by Charles Fraizer

Quite simply, one of the worst books of the past decade. It is a great example of the group think among today’s university-driven literary community and publishing industry. The book is sophomoric in style, using purple phrases with awkward flourishes that most English 101 instructors will give you a failing grade for using. It is also a great example of a major problem in today’s publishing industry – an author has a wild success with a bad book, so he is given a huge amount of money to produce an even worse book, Thirteen Moons.

finnegan's wakeFINNEGAN’S WAKE by James Joyce.

It’s a classic, right? Yes, classic shit. The last section of the novel consists of 24,212 words and two sentences. Yes, you read that correctly, two sentences and 24,000 words! Enough said.

Gravitys_rainbow_coverGRAVITY’S RAINBOW by Thomas Pynchon

The 11 members of the Pulitzer Prize committee were on the right track when they described the book as “unreadable, turgid, overwritten and obscene.”

They were actually being nice.

magus_coverTHE MAGUS by John Fowles

Self-important and full of 1960ish mysticism and oblique literary games. AWFUL!

The great actor Peter Sellers was once asked, “If you had a chance to live your life over again, what would you do differently?” Sellers answered, ” I would not read “The Magus.”

Amen, Peter.  

scarlettSCARLETT: THE SEQUEL TO MARGARET MITCHELL’S GONE WITH THE WIND by Alexandra Ripley

Granted, this was a no-win idea from the get-go. Hell, even the title is ridiculous. But the book turned out to be boring, boring, boring.

And the other “approved” book, Rhett Butler’s People fares no better.

StateOfFearSTATE OF FEAR by Michael Crichton

First of all, forget all the political yammering around this novel (by the same folks that think Tom Clancy is a good writer) and the claims for “scientific authenticity.” IT’S BAD AND BORING!

Crichton has never been on anyone’s list of good writers; his prose is clumsy and his characterizations are TV depth (hence all the successful movies and TV shows made from his writings).

ShannaraTHE SHANNARA BOOKS (almost all of them!) by Terry Brooks

Second rate recycled Tolkien. Brooks’ prose is often as unwieldy as a 200 lb sword. . What is frightening is how many have been published. As of this moment there are 20+ Shannara novels. Mr. Brooks … have mercy! Take a vacation!!!!

How bad are these books? Pauly Shore bad! Michael Bolton awful!

tough guysTOUGH GUYS DON’T DANCE by Norman Mailer

A boring, boring mess. The book is the result of a self-important (and often good) writer thinking that because he is an “important artist” he could write a better hard-boiled mystery than those two-bit hacks like Hammet, Chandler and MacDonald.

Hey Norman, you lose … by a long shot!

 


 

SOULLESS: A Review

Published in 2009 Soulless asks a very simple question: Can a soulless spinster find love with an Alpha werewolf in Victorian London?

soullessPoor Alexia Tarabotti. Living in Victorian London as a spinster is not the most enjoyable of lives. However, Alexia has the extra burden of not having a soul – which has the power to neutralize supernatural powers. She is also half-Italian (another burden) and has just murdered a vampire with her parasol in the library during a party, breaking almost every rule in polite society. When the officials arrive to investigate the murder, the head officer is none other than Lord Maccon – loud, messy, gorgeous and werewolf – who is nursing a secret hankering for Miss Tarabotti.

That’s Chapter One. Where do you go from there? Into the realm of hysterical hijinks, drawing room dilemmas and passionate kisses, all served with the very best of tea. 

SOULLESS is a delicate literary lampoon, seamlessly merging the darkness of Bram Stoker with the sensibility of Jane Austen set in Charles Dickens’ London. Gail Carriger pulls it off with aplomb. The heroine has much in common with Austen’s Elizabeth Bennett – witty, forthright and headstrong – but also has the additional talent of being lethal with a parasol. The writing style is very much Austenish, with its formality and cleverness, which induces not merely giggles and snickers but out right guffaws.

Here is a typical paragraph:

Professor Lyall was reminded of his Alpha’s origins. He might be a relatively old werewolf, but he had spent much of that time in a barely enlightened backwater city in the Scottish Highlands. All the London ton acknowledged Scotland as a barbaric place. The packs there cared very little for the social niceties of daytime folk. Highland werewolves had a reputation of doing atrocious and highly unwarranted things, like wearing smoking jackets to the dinner table. Lyall shivered at the delicious horror of the very idea.

Sweet, and sublime. Unfortunately, SOULLESS will be invariably compared to the recent Jane Austen “rewrites,” Pride & Prejudice & Zombies and Sense & Sensibility & Sea Monsters, but this is much better. In addition to her Austen sensibilities, Carriger also has a bit of Terry Pratchett, P. G. Wodehouse and Douglas Adams in her psyche. SOULLESS contains a complete re-imagining of vampire and werewolf lore, an accurate portrayal of Victorian society, a screwball comedy and a splash of steampunk tossed in for entertainment.

As part one of The Parasol Protectorate, this paved the way for the following novels:  Changeless, Blameless, Heartless and Timeless. 

Time for some tea. Bravo, Ms. Carriger.

5 palmettos